Over the last couple of weeks we have gone through styles of dance offered here at the studio! This week we will briefing the history of dance from our blogs as well as other styles, and the order in which each style of dance came to the forefront of history. 

Ballet: Origin Years- 1400’s

Ballet is a formalized form of dance with it’s origins in the Italian Renaissance courts of 15th and 16th centuries. Ballet spread from Italy to France with the help of Catherine de’ Medici, where ballet developed even further under her aristocratic influence.

Bharatnatyam: Origin Years- 1500’s 

Bharatanatyam is one of the oldest and most popular forms of classical dance that originated in Tanjore district in Tamil Nadu in South India. The origin of this dance can be traced to the sage Bharata Muni’s Natyasastra.

Modern: Origin Years- 1800’s

Modern dance is a broad genre of western concert or theatrical dance, primarily arising out of Germany and the United States in the late 19th and early 20th centuries. Modern dance is often considered to have emerged as a rejection of, or rebellion against classical ballet.

Waltz: Origin Years- 1830’s

This form was established in the 1830s by Joseph Lanner and the elder Johann Strauss, and from then the waltz was particularly associated with Vienna, although it was popular throughout Europe.

Jazz: Origin Years- 1900’s

Jazz dancing, and it’s steps and style, originated from the dancing of African Americans that were brought to America as slaves. Later it was brought from vernacular to theatrical.

Tap Dancing Origin Years- 1920’s 

Tap dancing has evolved considerably to become the art form we know today. Before there were tap shoes, dancers wore soft shoes, or clogs. Tap dancing originated as Juba, a kind of dance practiced by African Americans that were brought over to America. It melded with Irish dancing and continued to alter as it encountered the influence of jazz dance.

Salsa: Origin Years- 1930’s

Salsa represents a mix of Latin musical genres, but its primary component is Cuban dance music. The roots of salsa originated in Eastern Cuba and Afro-Cuban dance like Afro-Cuban rumba.

Contemporary: Origin Years- 1940’s

Although originally informed by and borrowing from classical, modern, and jazz styles, it has since come to incorporate elements from many styles of dance. Due to its technical similarities, it is often perceived to be closely related to modern dance, ballet, and other classical concert dance styles.

Hip Hop: Origin Years- 1970’s

Hip-hop dance refers to street dance styles primarily performed to hip-hop music or that have evolved as part of hip-hop culture. It includes a wide range of styles primarily breaking which was created in the 1970s and made popular by dance crews in the United States.

As we see dance comes in many forms!

Human beings have been expressing themselves through movement since the beginning of time. With that the earliest historical records showing the origins of dance are cave paintings in India dating to about 8000 BCE. As well as Egyptian tomb paintings can also be seen depicting dance in about 3300 BCE.

Dance and movement have always been a way of life. 

 

TURKEY GAMES TO PLAY WITH YOUR DANCER AT HOME 

Game 1: In the style of Simon Says

Spread the players across the room.

Have them listen for “Gobble Gobble Turkey Says!” before doing any dance moves.

This is a great game to help keep your child’s understanding of the terminology over break while having some fun.

Here are some terminology suggestions:

Ballet Terms:
Plie
Tendu
Releve

Jazz Terms:
Chasse
Ball change
Kick

Or you can make it more Thanksgiving themed:
Hug a friend or Move like a Turkey

No matter what dance move you shout, be sure that “Gobble Gobble Turkey Says” to do the dance move!

Game 2: In the style of Mother May I
Line all the kids up in a straight line behind a jump rope. They must ask “Gobble Gobble Turkey May I” if they can do a dance move to advance forward.

EXAMPLE:
“Gobble Gobble Turkey may I do three hops forwards?”

Gobble Gobble Turkey says yes or no. If no they must give the dancer a better option:
“No you may not, but you may do 3 frog hops forwards!”

Before the dancer can do their dance move they must repeat “Gobble Gobble Turkey May I?”
If they don’t, they cannot do their dance move til the next round.
The person who makes it to Gobble Gobble Turkey first should win a prize!

 

For the last 7 years Reach For The Barres as been apart of VIP’s Holiday Toy Drive. This is an organization, and fundraiser that is very important to us. 

Here is how to donate to the toy drive and beyond. 

WHAT IS VIP? 🤔

VIP is the Violence Intervention Program. Their care programs are the heart of what they do. 

For 30 Years, VIP has continued to be innovative in creating programs and systems that simplify the path to recovery for people experiencing abuse or neglect.

WHAT IS THEIR MISSION?🤲🏻

Their work aims to cover a wide range of issues such as Child Abuse, to Adult, Elderly and LGBTQ needs all across Los Angeles. 

____________________________________________________________________________

HOW TO DONATE TO THE TOY DRIVE 📝

❗️ALL toys given to VIP will be donated to children in foster-care, and other victims of child abuse❗️

The old fashion way: 🧸📦

We will have a toy drive box at the studio. You can drop toys off at check-in when you bring your dancer in for class!

Amazon Wish List Link: 🔗

If you are unable to come into the studio you can use the link provided below and add something to VIP’S amazon wish list! 

https://www.amazon.com/registries/holiday/ownerviewregistryId=3AAW5G6D67KQA&ref_=gr_universal_landing

USE The QR Code on the flyer photo above or right below here⬇️💌

If you would like to know more about VIP, and other was to support them go to:

➡️https://violenceinterventionprogram.org/about-vip/our-programs/children-teen/

 

MODERN DANCE

Modern dance is a broad genre of theatrical or concert dance that includes various styles such as ballet, folk, social, religious, and ethnic dancing. It was first developed in the US and Europe during the 19th and early 20th centuries. It was regarded as a way to express social concerns and reject the traditional ballet.

 

BRIEF HISTORY

Although modern dance is often regarded as a rejection of classical ballet, historians believe that various factors such as the rise of the middle class and the decline of social strictures influenced the development of this art form. In the United States, for instance, the rise of the middle class and the increasing number of people with disposable income led to a new interest in physical fitness and health. During that same period, the role of physical education in the development of modern dance was also greatly influenced by the movement’s popularity.

POPULARIZATION 

In 1927, newspapers began assigning dance critics, such as Walter Terry, and Edwin Denby, who approached performances from the viewpoint of a movement specialist rather than as a reviewer of drama and music. Subsequently educators accepted modern dance into college and university curriculum, first as a part of physical education, then as performing art.

✨Major Modern Dancers/Founders✨

Martha Graham

Graham is to Modern dance what Stravinsky is to Modern music or Picasso to Modern art. It’s hard to overestimate her influence. She codified a vocabulary of Modern dance that still prevails and is the closest thing to a “mainstream” Modern dance. The force of her personality was legendary, and although her primary work was done before World War II, she lived until age 96 in 1991.

Alvin Ailey

He formed the Alvin Ailey Dance Theater in 1958, with an eclectic style built from his “blood memories” of his native Texas, the blues, spirituals and gospel, asking for a combination of leg and footwork – what he called a “ballet bottom” – combined with a “Modern top,” the torso, arms and head, that “only Modern dance offers.”

Isadora Duncan 

Free spirit incarnate, Duncan danced barefoot in Grecian robes, invoking ancient dance, and created the first school of Modern dance. 

Merce Cunningham

In the forefront of the dance avant-garde for more than 50 years, Cunningham revolutionized his field, divorcing movement from the music that accompanied it, and from the constraints of narrative. His influence has been enormous.